https://www.amazon.com/Echoes-Dr-Afshine-Emrani/dp/1967359555The night I decided not to die, the stars looked like surgical lights through the fog—cold, distant, indifferent to human pain. I stood on the hospital roof counting them, as if they were the pills I'd thought about swallowing, the lives I'd failed to save, the reasons to step forward or back. The night wind performed its own kind of surgery, slicing through my white coat with precise incisions, each gust a whispered invitation: Jump. End it. Be free. In medical school, they teach you to heal in precise measurements: 10 milligrams of hope, 50 ccs of comfort, a carefully calibrated dose of care. They teach you how to measure life in heartbeats, breaths, the steady beep of monitors marking time. But they don't teach you how to measure the weight of a life in your hands, or how to stitch yourself back together when you're the one falling apart. Each day, we put on our white coats like armor, wear our stethoscopes like talismans, and pretend that knowledge makes us invincible and invulnerable. The hallways echo with the percussion of urgent footsteps, the symphony of life and death playing in endless loops. We speak in a language of numbers and abbreviations, as if reducing pain to statistics might make it easier to bear: BP 120/80, HR 72, O2 sat 98%. But there are some vital signs we can't measure: the crushing pressure of expectations, the dropping levels of hope, the irregular rhythm of a soul in distress. I didn't jump that night. Not because I was brave enough to live, but because I was too afraid my body would end up in our own emergency room, my colleagues forced to pronounce the time of death for someone they thought they knew. So I stood there on that rooftop, suspended between earth and sky, between being and nothingness, between the doctor I pretended to be and the fraud I felt inside. Peter made a different choice. Last night, my friend — my colleague, my mirror — chose darkness over dawn. The news found me beneath fluorescent lights that hummed like flatlined monitors. I stared at Peter’s empty office chair, seeing ghosts: his steady hands that had held countless lives, his gentle eyes that had witnessed too much suffering, his quiet smile that had masked his own pain. I wanted to ask him, to plead with him, "Peter, why didn't you tell us?" But I knew the answer. Because I've walked that razor's edge between healing and hurting, between saving others and losing yourself. Peter joins a growing constellation of the lost. In ten years, I've watched four other doctors choose silence: One calculated his final dose with pharmaceutical precision. Another transformed his garage into an execution chamber while his children's laughter echoed from the yard. The third sought freedom in gravity's embrace. The fourth used his knowledge of anatomy to ensure the bullet would not fail. They don't tell you in medical school that every life you save leaves a scar on your soul. That empathy is a double-edged scalpel, cutting both ways. That sometimes the harder you work to keep death at bay for others, the more seductive its siren song becomes. I see it in my patients now, the ones who survive loss only to drown in its aftermath: Sarah, clutching her son's tiny hand in my office, trying to explain why Daddy's love wasn't enough to make him stay. Her boy's question hangs in the air like wispy smoke: "If we were enough, would he still be here?" Eric, sixteen and already ancient, his sister's suicide note folded into origami shapes under his bed. When his mother found them, each paper crane carried the same message: "I'm sorry I couldn't fly." Michael, gray at the temples but still a child in his grief, weeping over his father's decades-old choice. "I've spent my whole life trying to be perfect," he confesses, "as if achievement could resurrect the dead." In my darkest moments, I found strange comfort in conversations with ghosts — brilliant souls who lit the world but couldn't bear its glare. They spoke to me in languages of their own. Vincent van Gogh spoke in colors — blues as deep as midnight despair, yellows as bright as false hope, reds as fiery as a blood moon — each brushstroke a cry for help painted in rays of blazing light. His hands, eternally stained with paint and purpose, sketched maps of escape routes he never took. Marilyn Monroe spoke in the language of masks, of faces worn for others until your own disappears. Her smile, a carefully constructed curve, held all the secrets of being seen but never known. Robin Williams' voice came as laughter wrapped around pain, like bandages around a wound that wouldn't heal. His jokes were flares sent up from the darkness, signals that someone else might see and understand. These phantom dialogues taught me something vital: Depression is not just a disease — it's a skilled assassin. It wears the face of reason, speaks in the voice of logic, presents its poisons as cures. It tells you you're broken, a burden, that the world would be lighter without your weight in it. But here's what I've learned in the years since that night on the roof: Every time the emergency room doors burst open, every time a heart starts beating again under my hands, every time a patient leaves our care stronger than they arrived, I'm reminded that life persists. It finds ways to bloom in the harshest conditions, like the stubborn flowers that grow in the cracks of the hospital parking lot. Last week, a young woman came to my office. Her wrists bore the geographical scars of previous attempts, but her eyes held something new. "I didn't want to die," she said. "I just wanted the pain to stop. But then I realized — if I could survive myself, I could survive anything." This book emerges from that space between survival and surrender, between the impulse to end pain and the courage to endure it. If you're here, if you're holding these pages with hands that shake from the effort of holding on, know this: You might feel invisible, but I see you. You might feel worthless, but you are irreplaceable. You might feel trapped, but there are doors you haven't yet found. Hold on. Even when gravity pulls hardest. Even when darkness sings sweetest. Even when dawn seems an impossible distance away. The sun is always rising somewhere. Its light will spill gold across the sky, painting hope in colors you've forgotten how to see. But you have to be here to witness it. The world is better because you exist. This isn't optimism. This isn't platitude. This is diagnosis and prescription, written in the precise language of someone who has studied both death and life, and chosen the harder path of living. I'm still here to prove it possible. I'm still here to help you find your way back to light. I'm still here. And I'm waiting to show you how to survive the night. You can order the book here: https://www.amazon.com/Echoes-Dr-Afshine-Emrani/dp/1967359555/ref=sr_1_1?crid=1IOEZ0PGTJ9ED&dib=eyJ2IjoiMSJ9.BL1t8gKTdDCYFAtWYsKY8Hpa5AI6dcJcXizRnHWgqa56uGsbsJdrpg2qZjMIkSm1pvOgsdz6RO5QjF_iycwKfPqW_nJ3SG99vgYueNEUz1I.-W3aDqRH4T9HDDRSYS5hlFdajqghsMbKqgcegESe784&dib_tag=se&keywords=afshine+emrani&qid=1742399491&sprefix=afshine+emran%2Caps%2C159&sr=8-1
